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1980s Neil that doesn’t, you know, suck

The-10-best-legal-wrangles-in-music-8Not that anyone ever would believe that Neil Young could “suck,” but according to Nick DeRiso at Something Else! Reviews there were certainly moments, and they seemed to come in bunches, when Neil Young stumbled so badly in the 1980s that it was difficult to imagine he’d ever regain his footing.

 But, not always.

“It was a period of principled stands against the record-label intrusion of the day, and — alas — of unlistenably noble experiments. Still, if you dig deeply enough, you’re likely to discover something of value even on the occasionally intolerable techno-focused Trans,” DeRiso writes.

The author lists five of Young’s works that didn’t suck during that era, leaving out the justifiably celebrated 1989 project Freedom, since by then Young was rounding back into shape, he says.

We won’t tell you which ones he picked as shining stars in a decade that some feel was less than lackluster as far as muic goes. But there were some choice moments by Young

Just as an aside, 1983 was the year Young said that being sued by his new record label for making records that were “not commercial” and “unrepresentative” was “better than a Grammy” because it cemented his ornery maverick reputation.

David Geffen, who thought Young’s quixotic early 1980s records were sabotaging his career and making Geffen look stupid, emerged as a heavy-handed fool. He quickly dropped the suit and apologised. “He’s a big man for saying he was so fuckin’ wrong,” said Young, who responded, to his manager’s horror, by insisting that his deal was slashed in half as an expensive gesture of commitment to creative freedom.

Anyway hear is one of the chosen favs.

See for the rest for yourself the the list of favorable 1980s  tunes at:

http://somethingelsereviews.com/2013/11/26/gimme-five-1980s-neil-young-that-doesnt-you-know-suck/

Random Quote

So I spoke to my old friend Bruce and told him I was feeling it, his loss of Clarence. We talked for quite a while, and there is no need to go into what two old friends had to say to each other at this point, except to say that two old friends spoke to each other about their music, their muses, their partners in crime, their proof, their friendship, their souls and their lives. Ben Keith was my Clarence Clemons. Clarence Clemons was Bruce\'s Ben Keith. When he died last year it touched me to the core. I don\'t want to ever think of any one else playing his parts or occupying his space. No one could. I can\'t do those songs again unless it\'s solo. So I told Bruce, \"Waylon once looked at me and said, \'There\'s very few of us left.\'\" He liked that. I told him when he looked to his right I would be there. That\'s enough. I\'m not talking about that anymore.
by -- Neil Young, Waging Heavy Peace

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