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More Pono: critique, wondering

tech_neil_young_pono_2Pono, Neil Young’s brainchild for sound, is starting to sound like a broken record…

Pono, Pono, Pono……. the music player of the future.

Here is another critique of the invention and the idea by audiophile Steve Guttenberg at C/Net.

Guttenberg is wondering what’s up with the release of Pono, now pushed to 2014.

He writes:

“Like everybody else I’m still unsure about how the Pono music service will work. Will we have to buy a Pono music player to fully enjoy the glories of Pono files? In other words, is Pono a closed system? Or can you play Pono high-resolution Master Files on your computer at home or on an iPhone or Android phone? I can’t see how that would be possible in the near term, and I don’t consider phones’ digital converters and built-in amplifiers audiophile-grade devices. Playing a file is one thing; hearing better sound from it is something else.

“The biggest stumbling block for Pono is the scarcity of high-resolution music being recorded today. According to a friend who worked at one of NYC’s biggest mastering studios, only 10 or 15 percent of clients ever bother with true high-resolution masters. Most are no better than 48kHz/24-bit, very few are bona-fide high-resolution 96kHz or 192kHz masters. But even if Young can rack up enough high-resolution music albums, how Pono Master Files will differ from the high-resolution WAV, FLAC, or ALAC files that are already available from other high-resolution download sources, he isn’t saying. How will the Pono player be any different than the Astell & Kern, FiiO, or Hifiman high-resolution players already on the market?”

“Pono,” by the way, it the Hawaiian word for “righteous.”

Read the entire opinion piece at: http://news.cnet.com/8301-13645_3-57608168-47/whats-up-with-neil-youngs-pono-high-resolution-music-system/

/ Why Pono is questionable and doesn’t make sense for the end-terminal, i.e. the ear:

https://www.bad-news-beat.org/2013more-on-pono-technical-dissection

Please discuss this.

Random Quote

Neil: These days it\'s all about closure of this and that for me. I have too many things to finish. How can I move on until I clean that slate? My film Human Highway [made in 1982] is one of those things. It should be available to the public. Dean Stockwell and Russell Tamblyn, my old friends from Topanga Canyon, and Dennis Hopper, a good old friend, were in this movie with me, and we wrote the dialogue as we went along. It is the dorkiest damn movie ever, and it walks a very fine line right on the edge of being too dorky. Some may say it falls over that line. The film was never put to rest to my satisfaction. When I finish something, I want it to be right, or as right as it can be.
by --Neil Young, 2012 interview with Costco

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