Exclaim.ca is reporting that the Chicago-based Numero Group was poking around Laurel Canyon and discovered an old, unreleased album from folk singer Elyse Weinberg. Its Numerophon imprint will be issuing the sessions, which featured Neil Young, as Greasepaint Smile on September 18.
Young sings “Houses.”
Numerophon is The Numero Group’s vinyl-only legacy imprint. Aimed at releases featuring plaintive and old-timey folk and gospel, blues, ethnic, field recordings, the musical outpourings of Appalachia, and so on, Numerophon is a label’s evolution run backward, into what Numero might have looked like circa 1948.
Greasepaint Smile was to be the follow-up to Weinberg’s 1969 debut, Elyse. Her first album was issued by Tetragrammaton, but the label went out of business before Greasepaint Smile could be released. That said, a CD repress of Elyse in 2001 via Orange Twin had delivered two tracks from the sessions (“What You Call It” and “Houses”).
“Houses” is especially notable, as it features lead guitar from Young. Of Shakey’s “signature fuzz-tone,” Numero says that it can be heard “casting chaos over the beautiful ballad.” The song has since been covered by the likes of Dinosaur Jr. and Vetiver, among others.
In addition to Young’s guest appearance, the record also includes backup performances from the E. Street Band’s Nils Lofgren, J.D. Souther and Kenny Edwards. It was produced by longtime Crazy Horse cohort David Briggs.
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A review from the Burlington Free Press staff writer Brent Hallenbeck says Sunday’s show July 19 in Essex Junction was Neil Young’s first-ever headlining show in Vermont. He played with Promise of the Real for the ninth show of the tour.
Prior to the show he spoke at a press conference in favor of Vermont’s GMO labeling law. Activist booths were set up outside the concert.
Hallenbeck writes that Young was driven in large part by his support for the state’s law requiring food manufacturers to label products containing genetically modified organisms, or GMOs. The Grocery Manufacturers Association has filed suit against Vermont over that law, and Young announced Sunday that he’s donating $100,000 to the fund helping the state fight that lawsuit.
Here’s a clip from the review:
“Given that impetus behind the show, though, Young’s nearly two-and-a-half-hour concert was largely restrained about politics – for instance, he didn’t talk about the presidential candidate he favors, U.S. Sen. Bernie Sanders of Vermont – and focused on the music that has made him one of rock’s top songsmiths for nearly half a century. He came out in blue jeans, a dark brimmed hat and a black T-shirt reading “Earth” and began with quieter tunes featuring his naturally strained, upper-register voice on top of acoustic guitar (with occasional harmonica interludes).
This was not the angry 69-year-old man raging against the corporate machine on “The Monsanto Years.” This was calm, reflective, often celebratory Neil Young as he played old favorites such as “Heart of Gold” and “Old Man.”
Lukas Nelson moved from guitar to piano as he played “Moonlight in Vermont,” an old standard his father often covers, even singing it with a warm, wavering tone like Willie Nelson employs. The crowd gave Nelson one of its heartiest ovations of the night.
Neil Young 2015-07-19 Champlain Valley Exposition, Essex Junction, Vermont, USA w/ Promise Of The Real
01. After The Gold Rush 02. Heart Of Gold 03. Long May You Run 04. Old Man 05. Mother Earth (Natural Anthem) 06. Out On The Weekend 07. Unknown Legend 08. Only Love Can Break Your Heart 09. From Hank To Hendrix 10. Harvest Moon 11. Wolf Moon 12. Words 13. Lookin’ For A Love 14. Moonlight In Vermont (cover) Lukas Nelson on lead vocals and piano 15. A Rock Star Bucks A Coffee Shop 16. People Want To Hear About Love 17. A New Day For Love 18. Country Home 19. Down By The River 20. If I Don’t Know 21. Workin’ Man 22. Monsanto Years 23. Love And Only Love
Tour: 2015 Rebel Content Tour Band: Promise Of The Real
Neil Young – vocals, acoustic guitar, electric guitar, piano, pump organ, harmonica Lukas Nelson – electric guitar, piano, vocals Micah Nelson – electric guitar, electric charango, piano, vocals Corey McCormick – bass, vocals Anthony Logerfo – drums Tato Melgar – percussion
Neil Young and Promise of the Year have been tearing up the stage at each venue they hit on this Rebel Content Tour.
He’s another positive review from Steve Israel at the Times Herald Record. He calls the show “Riveting” that was held July 18 at Bethel Woods Center for the Arts in Bethel, New York.
Read on: “About 45 minutes into his riveting three-hour show at Bethel Woods Center for the Arts Friday night, Neil Young talked about the first time he played the site of the 1969 Woodstock festival, 46 years ago, with Crosby, Stills, Nash and Young. Back then, the sloping hills of Max Yasgur’s dairy farm were a muddy mess, blanketed with 450,000 young, sweaty long-hairs, many of whom got in for free.
“On Friday, Young stood on the stage of the plush pavilion, where the top ticket cost $204.50, on grounds where the crowd of some 13,000 – many with gray hair – could wander on manicured lawns amid the flowing streams and blue stone walls of the arts center.
“I was here a long time ago,” he (Neil) said, after he and his muscular yet lithe band of youngsters, Promise of the Real, finished the 1992 gem, ‘Unknown Legend. “It was very different. I’m not saying good or bad. Just different.”
“Then, as if this relentless warrior of musical and social change couldn’t help himself, he slyly suggested something radical.
“He invited Woodstock veterans to the stage and, tongue in jowly cheek, mused that they jackhammer the cement in front of it so the crowd and Young could get closer to one another.”
Israel writes that the music on this summer night ranged from sweet, heart-aching solo acoustic tunes like “Harvest Moon” to the pulverizing electric power of guitar jams like “Cowgirl in the Sand.”
And, he said, the protest tunes from the new “The Monsanto Years” album may have paled next to the classics, substituting clunky platitudes for timeless poetics. But Young and Promise of the Real played them with a physical and emotional ferocity that often made the cliches vanish into the sweet summer air.
Neil Young 2015-07-17 Bethel Woods Center For The Arts, Bethel, New York, USA w/ Promise Of The Real
01. After The Gold Rush 02. Heart Of Gold 03. Long May You Run 04. Old Man 05. Mother Earth (Natural Anthem) 06. Hold Back The Tears 07. Out On The Weekend 08. Unknown Legend 09. From Hank To Hendrix 10. Harvest Moon 11. Wolf Moon 12. Words 13. Winterlong 14. Walk On 15. A Rock Star Bucks A Coffee Shop 16. People Want To Hear About Love 17. A New Day For Love 18. Cowgirl In The Sand 19. Workin’ Man 20. Big Box 21. Everybody Knows This Is Nowhere 22. Monsanto Years 23. If I Don’t Know 24. Love And Only Love — 25. Roll Another Number
Tour: 2015 Rebel Content Tour Band: Promise Of The Real
Neil Young – vocals, acoustic guitar, electric guitar, piano, pump organ, harmonica Lukas Nelson – electric guitar, vocals Micah Nelson – electric guitar, electric charango, piano, vocals Corey McCormick – bass, vocals Anthony Logerfo – drums Tato Melgar – percussion
“The Thursday, July 16, Rebel Content Tour performance at the Susquehanna Bank Center in Camden, New Jersey, proved to be the longest so far – a three-hour behemoth filled with long jam sessions, according to reports from concert-goers.
Ryan Cormier at The News Journal in Delaware, a Gannett newspaper, writes that Neil Young is no “old man,” as he delivers a massive missive of old and new songs. He states:
“At the Susquehanna Bank Center on Thursday, (Lukas) Nelson, 26, and his youthful band seemingly energized Young, 69, who treated fans to a three-hour-and-15-minute slow burn marathon tour of his career bookended by a pair of his greatest hits.
“He opened the show by appearing out of the darkness sitting at his piano for a solo rendition of ‘After the Goldrush’ and wrapped up at midnight with a squealing ‘Cinnamon Girl’ send-off, showing the dynamic range that has marked his more than 50 years in the spotlight.
The only sign of time slowing the still-hard-charging Young was a pink wrap around his right wrist. Everything else was there: his gentle, well-preserved voice, the distinctively eccentric stomps and Crazy Horse-style guitar freakouts.
“A mid-set, near-transcendental run thorough ‘Down by the River’ lasted nearly 20 minutes with Young and the band sharing solos and Young hauntingly whispering, ‘Shot my baby dead.’
Young is at his best when a fire lit – whether it’s a cause that needs defending or a big power needs to be fought, Cormier says.
“On stage or in song, there’s no hiding when Young has you in his cross-hairs. Just ask former President George W. Bush who endured a focused attack for years from the man who wrote ‘Ohio’ 45 years ago.”
“Oh, absolutely. I read a review of my record and someone said, \"She sounds like Lucinda Williams fronting Crazy Horse.\" I thought, wow, I never really thought that Neil Young was a big influence, but I guess in some way he\'s a subconscious one. It\'s a huge compliment. Not only is he a great musician and artist, but I have a lot of respect for the way he leads his life and takes a stand on things that are personally important to him. ” by Kathleen Edwards on comparisons of her to Neil, Calgary Herald, Aug \\\'03.
Neil Young on Tour
Sugar Mountain setlists
Tom Hambleton provides BNB with setlists, thankfully. His website is the most comprehensive searchable archives on the Internets about anything Neil Young related setlists. Goto Sugar Mountain.
Exclaim.ca is reporting that the Chicago-based Numero Group was poking around Laurel Canyon and discovered an old, unreleased album from folk singer Elyse Weinberg. Its Numerophon imprint will be issuing the sessions, which featured Neil Young, as Greasepaint Smile on September 18.
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