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Posts Tagged ‘After the Gold Rush’

Young a 2014 Grammy Hall of Fame Inductee

untitledSongs by Neil Young, U2, Run-D.M.C., the Sugarhill Gang, Gil Scott-Heron, and the Rolling Stones are among this year’s inductees into the Grammy Hall of Fame, the Recording Academy has announced.

Once again, 27 iconic recordings are headed for the Grammy Museum in Los Angeles, reports Spin Magazine.

The class of 2014 includes Neil Young’s 1970 album After the Gold Rush; U2’s barnstorming 1987 LP The Joshua Tree (the most recently released honoree); Run-D.M.C.’s watershed “Walk This Way” team-up with Aerosmith; the Sugarhill Gang’s 1979 game-changer “Rapper’s Delight”; the Rolling Stones’ 1969 hit “Honky Tonk Women”; George Harrison’s 1970 triple-album All Things Must Pass; and Gil Scott-Heron’s 1970 single “The Revolution Will Not Be Televised.”

Some other highlights: Creedence Clearwater Revival landed two recordings in the batch, the 1969 single “Fortunate Son” and 1970 album Cosmo’s Factory; James Brown’s 1970 track “Get Up — I Feel Like Being a Sex Machine” earned an acknowledgement, as did Sam Cooke’s 1960 tune “Wonderful World” and Dolly Parton’s endlessly admired 1973 single, “Jolene.”

Read more at: http://m.spin.com/articles/grammy-hall-of-fame-2014-inductees-u2-neil-young-run-dmc-rolling-stones/

More “Cellar Door” praise, but it gets so sappy

4976c8c0Album reviews of Neil Young’s newest soon-to-be released “Cellar Door” can be churned out ad nauseam. How many can we read?

Henry Hauser’s review at  Consequence of Sound, an on-line music publication, tells  the story of what happened in 1970, starting with a failed CSN&Y recording session at Young’s home in Hawaii.

Instead, band members went their separate ways and put out their own solo albums that made Billboard’s top 15. Young’s released  “After the Gold Rush,” but, Hauser writes –  not surprisingly – not everyone got behind it.

“Langdon Winner dismissed it as unlistenable, likening Young’s voice to ‘pre-adolescent whining.’ Not to be outdone by his erstwhile bandmates, the competitive Canadian continued writing new material and scheduled back-to-back concerts at Carnegie Hall.”

“Hoping to shake off the cobwebs following a five-month layoff, Young played a series of warmup gigs at The Cellar Door, an intimate D.C. music club. Live at the Cellar Door, the most recent installment in Young’s Archive Performance Series, captures these six solo sets.”

Of the music, Hauser gets sappy, using words like poignant, purposeful, ardent, penetrating, enthralling, dreamy, superb, wistful. There may be a record number of adjectives used in this review.

“The introspective ‘Tell Me Why’ finds the singer grappling with unsolvable quagmires in a wounded, elegiac timber (‘Is it hard to make arrangements with yourself?’).”

What? Hello? I need a cigarette…

Read the entire, Neil Young love-fest at: http://consequenceofsound.net/2013/11/album-review-neil-young-live-at-the-cellar-door/

 

 

Random Quote

I need a crowd of people but I can\'t face them day to day
by -- Neil Young

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