“The Thursday, July 16, Rebel Content Tour performance at the Susquehanna Bank Center in Camden, New Jersey, proved to be the longest so far – a three-hour behemoth filled with long jam sessions, according to reports from concert-goers.
Ryan Cormier at The News Journal in Delaware, a Gannett newspaper, writes that Neil Young is no “old man,” as he delivers a massive missive of old and new songs. He states:
“At the Susquehanna Bank Center on Thursday, (Lukas) Nelson, 26, and his youthful band seemingly energized Young, 69, who treated fans to a three-hour-and-15-minute slow burn marathon tour of his career bookended by a pair of his greatest hits.
“He opened the show by appearing out of the darkness sitting at his piano for a solo rendition of ‘After the Goldrush’ and wrapped up at midnight with a squealing ‘Cinnamon Girl’ send-off, showing the dynamic range that has marked his more than 50 years in the spotlight.
The only sign of time slowing the still-hard-charging Young was a pink wrap around his right wrist. Everything else was there: his gentle, well-preserved voice, the distinctively eccentric stomps and Crazy Horse-style guitar freakouts.
“A mid-set, near-transcendental run thorough ‘Down by the River’ lasted nearly 20 minutes with Young and the band sharing solos and Young hauntingly whispering, ‘Shot my baby dead.’
Young is at his best when a fire lit – whether it’s a cause that needs defending or a big power needs to be fought, Cormier says.
“On stage or in song, there’s no hiding when Young has you in his cross-hairs. Just ask former President George W. Bush who endured a focused attack for years from the man who wrote ‘Ohio’ 45 years ago.”
The Detroit News is reporting that Neil Young went ten minutes past the venue’s curfew and was fined $10,000.
Adam Graham of the Detroit News calls Young’s show with Promise of the Real “Ragged, Raw and Curfew-Breaking.”
The Rebel Content Tour performed 23 songs Tuesday, July 14 at DTE Energy Music Center in Clarkston, Michigan.
Graham said Promise of the Real “plays like a younger, scrappier version of Young’s own Crazy Horse.”
He writes: “Young locked in with his bandmates throughout the show, jamming with them during extended breakdowns like he was 20 years younger than his 69 years. And songs such as ‘Cowgirl in the Sand’ and ‘Everybody Knows This is Nowhere’ were given new life, the years falling away as Young fell into sync with his bandmates. (Young is known to be a audio junkie, and Tuesday’s show sounded nothing short of pristine.)”
He describes Young as “ragged and lived in, his voice a haunting yowl that’s only grown more honest with age. He wears his rust well.”
“’Mother Earth (Natural Anthem),’ from 1990’s ‘Ragged Glory,’ set the tone for much of the evening. Young pumped it out alone at an organ, singing, ‘respect Mother Earth and her healing ways/ or trade away our children’s days’ in pained, ghostly tones. At the close of the song, he was shooed away by a team of fumigators in all-white coveralls, a bookend to the pair of farmers who took the stage earlier in the evening to spread seeds and water the potted flowers at the foot of the stage. (Give it up for performance art, everybody!)
“After closing the set with a rocking, foot stomping ‘Love and Only Love,’ Young and his bandmates returned after the venue’s 11 p.m. curfew for an encore of ‘Don’t Be Denied’ and ‘Roll Another Number,’ a pair of early-to-mid-70s album tracks (from ‘Time Fades Away’ and ‘Tonight’s the Night,’ respectively).
It was an adventurous way to end the night, with Young forgoing bigger hits and tossing caution to the wind, but he long ago stopped playing other peoples’ games. Tuesday night was a show for the hardcore fans, and it was a rich reward for 40 years of loyalty.
Here’s a review of the Cincinnati show from a freelance writer, Walter Tunis, who writes for the Lexington-Herald Leader. This is the five show of the Rebel Content Tour, with Neil Young and Promise of the Real. They performed July 13 at the Riverbend Music Center.
“Backed by the youthful Promise of the Real quintet, the same band that fortifies Young’s wild new protest album The Monsanto Years, the double Rock and Roll Hall of Fame inductee offered a two hour-plus retrospective that moved through the years as readily as it did a series of diverse musical temperaments that reached several epic, electric crescendos with his new performance compatriots.
“The program nodded generously to solo tunes, folk ensemble-infused works and torrential rock ‘n’ roll jams. That’s a lot of musical traffic to cover, but Young traveled through it all, at age 67, (editor’s note: Should be 69 here) as tirelessly as the Promise of the New members, all of which were easily half his age, if not younger.
“Curiously, Young saved six of the seven songs performed from the album for the second half of the show, preferring to preface the new material with midtempo Americana staples like Out on the Weekend and Unknown Legend that would have fit neatly into a Farm Aid set.
“Then came the evening’s most potent musical cloudburst, a still-venomous Ohio that Young dedicated to the four students killed four hours away and 45 years ago at Kent State University. “They were,” Young said with pokerfaced candor of the protesting students, “a threat.”
“Bigger noise, however, surrounded three extended romps recovered from three different decades – 1969’s Down By the River, 1972’s Words (Between the Lines of Age) and 1990’s Love and Only Love. Here, Young cut loose with long, jagged guitar runs that delighted the multi-generational audience as well as the Promise of the New disciples onstage with him. Watching co-guitarist Lukas Nelson beam an electric grin as Young traded Black and Decker solos with him during the closing sparks of Down By The River was the Kodak moment of the night.”
Last week, Neil Young released The Monsanto Years, an agribusiness-themed concept album and a unique collaboration with Willie Nelson’s sons, Lukas and Micah, alongside Lukas’s bandmates in Promise of the Real. Now Yahoo Music is proud to premiere the accompanying The Monsanto Years film, which documents the recording of the album’s nine tracks at converted movie theater Teatro in Oxnard, Calif.
Young’s Rebel Content Tour with Promise of the Real kicked off Sunday, July 5. Each tour stop will not only include a solo acoustic set by Young plus a full electric set backed by POTR, but also “The Village of Action,” featuring information booths for local, national, and global activist groups — thus tying in to The Monsanto Years’ theme of sustainable farming, as well as other environmental and human rights issues important to Young and POTR.
Here’s the Milwaukee Journal’s review of Neil Young’s performance Sunday night, July 5 at the Marcus Amphitheater on the Summerfest grounds along Lake Michigan in Milwaukee. The tour is backed by Lukas Nelson & Promise of the Real.
Written by music critic Piet Levy, with photos by Rick Wood, Piet said while the crowd may have been braced for a lecture, they did not receive one.
He writes:
“The first sight on stage may have confirmed some fears, as two people dressed as farmers tossed seeds onto the stage and watered sunflowers. But it was actually a ruse to distract the audience as Young sneaked behind a battered piano for “After the Gold Rush,” from the 1970 album of the same name. That, too, is a song with a message — ‘Look at mother nature on the run’ he sings — but the surreal words are captivating.
“So was the presence of the hunched-over rocker, dressed in black — including a wide-brimmed hat that concealed his face — as a lone spotlight beamed down from above him. It was a simple image, but powerful; the most striking visual I saw during all of Summerfest, or at any concert this year. It suggested Young wasn’t going to be a lecturer; he was going to be a showman.
“That he was, performing “Heart of Gold” and “Old Man” within the first few minutes on acoustic guitar. Watching him perform the latter with quiet anguish — his face visible for the first time Sunday as he lifted his head, veins snaking across the back of his wrinkled left hand as he strummed the guitar — took on greater resonance.
“After performing a mesmerizing “Mother Earth (Natural Anthem)” on organ, men in hazmat suits appeared, spraying the stage with “pesticide.” But again, the show wasn’t making a statement so much as preparing the stage for Real’s entrance (along with Lukas’ brother Micah).”
The only thing Neil said to the audience the first 75 minutes was, “How are ya?” And when Young did play two of “Monsanto”‘s preachiest tracks, “People Want to Hear About Love” and “A New Day for Love,” people just wanted to hear Young sing, no matter what it was he was singing about.
Print deadlines prevented a full review of Young’s set. The show ran about two hours and 45 minutes.
2015-07-05 Marcus Amphitheatre, Milwaukee, Wisconsin, USA Summerfest w/ Promise Of The Real
01. After The Gold Rush (solo) 02. Heart Of Gold (solo) 03. Long May You Run (solo) 04. Old Man (solo) 05. Mother Earth (solo) 06. Hold Back The Tears 07. Out On The Weekend 08. Unknown Legend 09. Peace Of Mind 10. Field Of Opportunity 11. Wolf Moon 12. Harvest Moon 13. Words 14. Flying On The Ground Is Wrong 15. Walk On 16. People Want To Hear About Love 17. A New Day For Love 18. Down By The River 19. Big Box 20. A Rock Star Bucks A Coffee Shop 21. White Line 22. Workin’ Man 23. Everybody Knows This Is Nowhere 24. Monsanto Years 25. If I Don’t Know 26. Love And Only Love — 27. Don’t Be Denied 28. Double E
Tour: 2015 Rebel Content Tour Band: Promise Of The Real
“\"I\'m writing a book, don\'t mess with the muse!\"” by --Neil Young [2011, paraphrasing, source not sure]
Neil Young on Tour
Sugar Mountain setlists
Tom Hambleton provides BNB with setlists, thankfully. His website is the most comprehensive searchable archives on the Internets about anything Neil Young related setlists. Goto Sugar Mountain.
“The Thursday, July 16, Rebel Content Tour performance at the Susquehanna Bank Center in Camden, New Jersey, proved to be the longest so far – a three-hour behemoth filled with long jam sessions, according to reports from concert-goers.
memphish on 
Albert Stromann on 
liza on 
Baz on 
